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Kensington

Ziggo Dome 2025

 

Claude

Concertgebouw 2025

 

Son Mieux

Ziggo Dome 2025

 

Davina Michelle

Ahoy 2024

 

Hyperdome

Sydney 2024

 

Thunderdome

Jaarbeurs 2023

 

Empire Music Festival

Guatemala 2023

 

Froukje

AFAS Live 2022

Hello there! I’m Bob Walraven, a freelance lighting programmer and director working across concerts, theatre, festivals, and corporate events. I design and operate lighting that doesn’t just support a show — it tells a story, sets the mood, and brings the stage to life.

I’m all about the details: the rhythm of a performer, the timing of a cue, and the subtle shifts that make lighting feel alive. Whether it’s a tight musical cue or a dynamic festival look, I work closely with artists and production teams to turn ideas into unforgettable moments.

With over a decade of experience behind lighting consoles and roots in theatre, I bring a mix of technical precision and creative flair to every project. Alongside programming and operating, I’m increasingly diving into lighting design — shaping concepts from the ground up and adding my own creative touch.

From intimate theatres to massive stages, my goal is always the same: to elevate the performance and create visuals that truly connect with the audience. My approach is collaborative, hands-on, and focused on making the entire process smooth and enjoyable — from first plot to final blackout.

Kick-off & Concept

We start with a conversation about your show, production, or event. Whether there’s already a lighting design or just a rough idea, I’ll get to the core of what the show needs — rhythm, mood, and energy — and translate that into a lighting approach.

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Pre-show Prep

From lighting plots to patching and showfiles — I prepare everything in advance to keep things smooth on site. If I’m involved from the design phase, I’ll shape the concept from the ground up; if I’m joining later, I’ll align seamlessly with your existing setup.

02

Tech & Programming

Once we’re on site, I dive into programming. Cues, timings, transitions — all tailored to the music, blocking, or show structure. Whether it’s theatre or festival, I work fast, clean, and with the bigger picture in mind.

03

Show Control

During the show, I run the lighting live or timecoded, depending on the format. I adapt in the moment, stay in sync with performers and crew, and make sure every cue hits its mark. Smooth, responsive and reliable — no surprises.

04

Wrap & Follow-up

After the show, I support with handovers, backups, notes, or prep for the next leg. I also like to do a quick evaluation — what worked, what didn’t, and what we can improve or evolve for the next round. The goal: lighting that stays solid, repeatable, and keeps getting better.

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